《局面》是一档由新京报“我们”视频出品的人物专访栏目，由知名记者、评论员王志安主持。本栏目聚焦当下热点话题，与舆论风暴中核心当事人进行面对面访谈，拥有独家的精彩观点与节目内容，旨在“以冰冷的理性温暖世界”。

《局面》是一档由新京报“我们”视频出品的人物专访栏目，由知名记者、评论员王志安主持。本栏目聚焦当下热点话题，与舆论风暴中核心当事人进行面对面访谈，拥有独家的精彩观点与节目内容，旨在“以冰冷的理性温暖世界”。

主人公仁藤俊美是一流大学毕业的银行精英，有着幸福美满的家庭。在某日下午，他以“想要有地方放书”为由，突然杀害了妻子和女儿。随着庭审的进行，仁藤不为人知的过去逐渐被揭开……

Greg, a susceptible teenager from a chaotic home, numbs himself through drugs and alcohol. What started as innocent fun turns haunting, as his recklessness increases to the point of no return. He is forced to make a change, or drown in his addictions. Based on a true story.

At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground. 　　From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail. 　　Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn. 　　源自：https://festival.idfa.nl/en/film/ae49286a-02e8-4402-b6c0-5e7fa404c659/not-a-pretty-picture/

At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground. 　　From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail. 　　Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn. 　　源自：https://festival.idfa.nl/en/film/ae49286a-02e8-4402-b6c0-5e7fa404c659/not-a-pretty-picture/

安娜与夏洛特姐妹终生争夺母爱。当旧伤复发迫使她们重返故宅，迷离诡事渐次浮现——匿名骨灰、母亲对驴子的异常痴恋……她们能否最终和解？

安娜与夏洛特姐妹终生争夺母爱。当旧伤复发迫使她们重返故宅，迷离诡事渐次浮现——匿名骨灰、母亲对驴子的异常痴恋……她们能否最终和解？

安娜与夏洛特姐妹终生争夺母爱。当旧伤复发迫使她们重返故宅，迷离诡事渐次浮现——匿名骨灰、母亲对驴子的异常痴恋……她们能否最终和解？

漂亮的双性恋男子Antonin在巴黎一家音像店打着零工，他喜欢音乐，和乐队男队友有着理不清的暧昧。某个夜晚当他的“爱”在他的怀里失去后，他的感情世界开始一片片剥落。Antonin开始沉迷在巴黎的夜间行走，发生匿名性爱，同时曾与他有过性关系的的老板一再暗示Antonin就范。这一切直到他遇见神秘女子Juliette。导演Hormoz并不忌讳直白裸露的性爱，他创造了一个充满魅惑的地下世界，却不忘提醒观众爱和希望即便在夜里也会盛开。